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The Acknowledgement of Country will be presented by Shazda Marbuq Brown, an Aboriginal hunter in association with and authorised by the Community Elders of the Tharawal Local Aboriginal Land Council. We would like to thank Julie Dannevig, CEO of Tharawal Local Aboriginal Land Council, for her assistance in supporting the Research Creation Showcase taking place on Tharawal land. We acknowledge Elders past, present and emerging on this unceded territory which has been and forever will be Aboriginal Country.
We are delighted to welcome you to the annual Research Creation Showcase
in its expanded ‘up-late’ version. With the support of the School of Humanities
and Communication Arts, Casula Powerhouse Arts Centre, the Writing and
Society Research Centre, the Institute for Culture and Society, and Western
Sydney Creative, we are proud to present this eclectic and diverse celebration
of Western Sydney University’s most exciting thinkers, makers and storytellers.
After two years of ‘locked down’ online programming, 2022 celebrates the
return of our in-person-together event, and what better place to do it than at
one of Western Sydney’s most important cultural institutions. We’re grateful to
our event partner, the Casula Powerhouse Arts Centre (CPAC), as we could not
have accomplished this without their generous and exuberant encouragement
and support. This year’s Showcase takes full advantage of the opportunity
borne out of our partnership. From our earliest planning meetings we sought
to embrace the CPAC space, to fill it with the sounds, visions, ideas, voices and
people of Western Sydney. The program we have developed traverses multiple
forms, genres and platforms, from music, film, fashion and visual practice, to
online media, performance and writing. As you sample parts of the program, or
if you attend both the day and evening sessions, you will discover that Research
Creation is a hotbed of creative happenings. We open with 2022 Archibald
winner, Blak Douglas, talking about his practice and creative journey. This is
followed by a selection of artist-led workshops that take place both inside the
gallery and on the banks of the Georges River, while in the theatre (level 2) a film
program runs in parallel.
The afternoon session includes ‘lightning talks’ by Western Sydney University
creative thinkers and makers, the continuing film program, and a panel on art,
voice and activism led by award-winning filmmaker Dr Wendy Chandler, featuring
Blak Douglas and Timorese social justice campaigner and film producer Lurdes
Pires. The panel discussion anticipates the launch of Dr Chandler’s collaborative
online documentary and associated photographic exhibition Mobile Stories, an
innovative multimedia project that documents the stories of young social change
makers in Timor-Leste and Western Sydney.
The “up late” session kicks off with Jazz trio, Randomesque and the premiere
of Roger Frampton Comes Alive!—a documentary about the Sydney-based and
extraordinary Australian Jazz musician, Roger Frampton, written and directed by
his daughter Dr Emily Rytmeister. The music continues with the cool sounds
of the Giraffe Quartet.
The exhibition of the creative practices of Western Sydney University’s
artist-scholars are available all day on display in the main Turbine Hall.
In spite of every challenge the last two years has shown us, the making and
knowledge practices you will experience are testament to the resilience of
creative arts scholarship and their creators. The creative arts can inspire us to
understand and act in a timely fashion—with agency and across our gendered,
racial and bodily diversities. While the Research Creation Showcase 2022 offers
compelling examples of creative practice, we can also learn from the presenters
about the kinds of knowledges that are embedded in these works as emphatic
indicators of the importance of the creative arts and research in a time of change.
Professor Hart Cohen, Dr Rachel Morley and Ms Lina Gong
Dr Rachel Morley is a Senior Lecturer in Communication and Writing, and the Associate Dean for Engagement in the School of Humanities and Communication Arts at Western Sydney University. As a lecturer she teaches writing, media studies, and creative industries. Her Engagement role sees her working closely with local and national arts and cultural institutions to build strong collaborative partnerships that are high on research, learning and creative outcomes. Rachel has worked on creative storytelling projects in communities across Western Sydney, Northern NSW, Central Australia and Taiwan.
Dr Hart Cohen is Professor in Media Arts in the School of Humanities and Communication Arts and a member of the Institute for Culture and Society at Western Sydney University. He is the University’s Discipline Leader for Communication and Media. Dr Cohen has published widely in the field of visual anthropology, communications, film and media studies. He led three Australian Research Council Projects and directed three films related to the Strehlow Collection, Alice Springs.
Lina Gong is the Engagement Officer in the School of Humanities and Communication Arts. As an Engagement Officer, Lina is skilled in negotiation, event planning, business networking, project management and interpersonal communication. Lina holds a Master’s degree in Commerce. Prior to working for the University, she worked in the hospitality and tourism industry both in China and Australia.
Behrad Rezaei is the Senior Technical Officer (Design, Digital interactive Media) working within the Social Sciences, Humanities & Education Cluster of the Teaching and Research Technical Services department. He is involved in all teaching and research support that requires the use of digital media. He studied Bachelor of Design (Visual Communication) at WSU and is currently a candidate of Master of Research (MRes) at WSU. His research topic is Making Hybrid Media: Towards an Application of Remediation for Speculative Design Practice. Behrad is passionate about interactive design and has been involved in various interactive installations as a primary developer and designer.